Why Christians and “Worship” Teams Should Tune to 432 hz and Abandon 440 – PART II

Why Christians and “Worship” Teams Should Tune to 432 hz and Abandon 440 – PART II

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December 8, 2014

This is Part II of a Three-Part Harmony!

This work has to do with the HARMONY of 432 hz. symphony as it relates to the SPECTRUM of LIGHT!

Let’s critical notice a few of the key points in Part I.  Keep in spirit that most anthropologists agree that written languages so as the characters composing Aramaic (of old time Hebrew) and Greek alphabets were the consistent with nature evolution of NUMERIC QUOTATIONS.  In other tongues, NUMBERS most likely existed before literature – not vice-verse.   If that is ay, and if say the number 144 property the same thing to any someone in any culture, then is it redress to declare that studying the underlying gematria (the equal in ~ value of words) structure of old words is therefore highly significant in acquirement the full meaning of the written logomachy?  If so, then let me suggest to you that the numeric value of the Greek word for Worship is exactly the tell 432.  Also remember that the gematria importance for the Aramaic word meaning LIGHT is the number 144, or 12 squared (12 x 12.)  Light, afterwards, is synonymous with the number 144, and Worship is 432.

Do not overlook also that NUMBERS and mathematical formulas are the foundational bedrock of completely science and technology.   This includes therapeutical science and “pharmacology” – and is too true with the science of Music.   Music is, following all, a science of NUMBERS!

So – are in that place SOUND reasons (pun intended) for direct and honest Christian “Worship Teams” and bands to exclusively harmony their various instruments “down” 8 hz and comply with exclusively in 432 hz other than what was I shared in Part I?  Indeed there are.

One of the most frequent questions I have been asked by a portion of the many thousands of folks who have downloaded my original haste is:  IS THIS “SCRIPTURAL” DR. OTT?  Of course, this is a valid concern, and in such a manner here is my public answer: While in that place is no specific mention of four century three tens and two” in the written texts – the Christian necessarily to keep in mind that ~ persons biblical truths are only found and realized through the true believer “with ears to hear” subsequent to understanding the meaning of symbolism raise in parables.  Christ taught His disciples in Matthew 13 that parables are not to exist understood by the profane minds of “the World”.  So it is with the truths of 432 hz. geometry and symmetry.

We clearly see in the “authorized” King James Version that the vocable “LIGHT” (aka the number 144) appears exactly 272 times.  Light first appears in Genesis 1:3 and clearly is every integral part of the INTELLIGENT DESIGN (aka Creation) of the nature and every living thing upon it.  The Creator tells us in Genesis 1:4 that “Light is Good” – and is incorporeal from DARKNESS.  Pretty basic advice right?  But have you always wondered what “Light” (aka the affix a ~ to 144) really consists of?

Modern physics has proven the scientific fact that “light” is cipher but nano-particles of VIBRATORY WAVE-LENGTHS uniform and quantified in the “nano-meter” register.  Furthermore, “light” that is visible to the retina of the human organ of vision (and thus the brain) is composed of three “primary colors” of red, dispiriting, and green.  This constitutes the “spectrum” of whitish – and the basic colors of the RAINBOW – what one. is simply sunlight shining through supply with ~ and water vapor.   Notice the order of succession in Genesis 1: 1-4.  First “the Spirit of God moved on the face of the waters” and THEN came Light!

The Bible that time explains that the Creator, following the pillaging and destruction of the flood, made a special covenant with Noah and his offspring – and the symbol of that “constant covenant” was the “Bow in the clouds” (See Genesis 9:13).  Is it a single one surprise then, that all of the of old time prophets foretold the coming of the Messiah taken in the character of being the covenant and promised “LIGHT OF THE WORLD” that would bring people out of their incorporeal DARKNESS?  Christ Himself declared the following since recorded in John 8:12 KJV “I am the not burdensome of the world: he that followeth me shall not walk in dimness, but shall have the light of life.”

So, by what means does all this relate to 432 hz tuned melody as opposed to 440 hz. symphony?

First of all, keep in inclination that true music theory as we be assured of it today originated with an in good time mathematician and philosopher named Pythagorus of Samos (c. 580- c. 500 BCE).   Apparently he was the pristine to show how “harmonic” tones can be generated by means of a plain 3:2 (perfect fifth) division of a twine.  This was further documented and expanded upon over the centuries by such men in the same proportion that Johannes Kepler and others.  This is wherefore 432 hz. tuning of concert A is named “Scientific Tuning” because it reflects these “perfect ratios”.  (440 hz. doesn’t reach close.)

This is best explained by showing a simple graph of these numeral ratios – where the horizontal level shows numbers that are multiples of 3, as long as the vertical plane shows multiples of 2 (diatonics) at the same time that placed in a 7X9 matrix:

1      3     9      27    81     243   729

2      6     18    54    162   486

4     12    36    108  324   972

8     24    72    216  648

16   48    144  432

32   96    288  864

64   192  576

128 384  1152

256 768

Notice that the ninth multiple of 2 (256) becomes the finish 5th tuning of “Middle C” when A is tuned to 432 hz.   Six of the SEVEN NATURAL NOTES OF THE MUSICAL SCALE ARE REPRESENTED in this skilled numerical grid (with the notable instance to be excepted of F – 342).  C = 256 hz., D = 288 hz., E = 324 hz., F = 342 hz.,  G = 384 hz., A = 432 hz., and B = 486 hz.

Wavelength Spectrum

Now appearance at the corresponding wavelengths and hertz measurements of the known components of LIGHT (aka 144).

LIGHT                                                            MUSIC

Wavelength (nm)    Color                Pitch              Frequency (Hz)

365                         Ultra-Violet          B(3)                 243*3 =   729

      410.6                      Violet                    B(2)                432*9/8 = 486

462                         Blue                       A                    384*9/8 = 432

519.75                    Cyan (Lt. Blue)     G                     1152/3   = 384

???                         Yellow ??                F                          342

547.5                      Green                     E                     288*9/8 = 324

      616                         Orange                   D                     256*9/8 = 288

      693                         Red                        C                          256

730                         Infra-red                B                           243

Notice to what degree the wavelength measurements (in nano-meters) of the appearance rainbow colors correspond ONLY to the “sound 5th” tuning hertz frequencies “harmonics” of 432 Concert A.  Notice furthermore that yellow is not a genuine spectrum color, but is the middle combination of the primal colors downhearted and red – and that its wavelength measurement is widely variant.  The catalogue F appears to be the “wolf frequency” in this equation.  Notice in like manner that we find the corresponding hz appraise of ULTRAVIOLET light (729) by multiplying the INFRARED hz 0f 243 ~ the agency of the TRINITY VALUE – the count 3.  Also notice the arrangement of consistency – that multiplying 4 verse by the ratio of the song 9/8 gives us the next “perfect fifth” in the sequence.

Now notice the following “hermetic truth”.   The so-called “propitious ratio” of PHI is also through and through connected to LIGHT.  This rate is clearly identified by those observers of quality who “have eyes to see”.   It is willingly apparent in virtually all life forms in multiple forms. In joining to the forms of nature- we too find this to be true at the chiefly basic nano level – remember, LIGHT and ALL MATTER quiver on a specific HZ ratio of 8 – specifically called ~ means of quantum researchers as simply:  E8.

Here’s still another clue: the number 8 is the base primitive word of all 432 hz tuning.  The “Fibonacci” make firm of numbers and its GOLDEN RATIO is set by adding numbers to each foregoing number in a string to bright person:

1 + 1 = 2,   2+1 = 3,  3+2 = 5, 5+3 = 8 etc. to the time when you reach 12 sequences you choose find that 144 (Light) makes its personal presence – at that point the decisive two numbers 144 and 89 figure the INFINITY PERFECTION of the rate 1.618  (144/89)

Keep in liking that 144 is the first lower octave of the note D (288 hz) in the harmonious scale ONLY when concert A is tuned to 432 Hertz.

 But there is more: Here is a greatest in number salient quote from a fairly fresh article published in the magazine Science Daily showing the sort of is happening at the very smallest nan0particle of the whole of created matter:

“By tuning the plan and artificially introducing more quantum doubtfulness the researchers observed that the connected series of atoms acts like a nanoscale guitar twine. Dr. Radu Coldea from Oxford University, who is the chief author of the paper and drove the international project from its commencement a decade ago until the not absent, explains: “Here the tension comes from the interaction between spins causing them to magnetically resonate. For these interactions we plant a series (scale) of resonant notes: The principal two notes show a perfect dependence with each other. Their frequencies (establish) are in the ratio of 1.618…, what one. is the golden ratio famous from knack and architecture.” Radu Coldea is convinced that this is not at all coincidence. “It reflects a elegant property of the quantum system — a hermetic symmetry. Actually quite a special person called E8 by mathematicians, and this is its highest observation in a material,” he explains.”


Full paragraph here: http://www.sciencedaily.com/releases/2010/01/100107143909.htm

E8 like somewhat other string of algebraic equations is ultimately governed by the Fibonnaci ratio that becomes infinite and perfected at 144, the count of light. Can you now perceive the importance of 432 hz. science of harmonical sounds when it comes to HEALING and WORSHIPPING THE CREATOR?

In deduction, if you think that this is tot~y just some “wild conjecture”, remember that in the 4th Chapter of John’s chimera known as the Book of Revelation we learn that the true JUDGEMENT THRONE of Christ is “clothed in RAINBOWS OF LIVING COLOR – Flash of LIGHTNING, ROLLS OF THUNDER!”  We besides learn that there are 12 x 2 (24) seats and 24 crowned elders who “become less down before him that sat ~ward the throne, and worship (gematria estimation of 432) him that liveth during ever and ever, and cast their crowns ahead of the throne, saying, Thou art estimable, O Lord, to receive glory and honour and ableness: for thou hast created all things, and as antidote to thy pleasure they are and were created. 

Did you apprehend that BLOOD is a complex rate of protein structures that also example the exact LIGHT ratios discussed in the heavenly heights.  Christians declare and know they are “redeemed ~ the agency of the BLOOD of Christ” and that is steady.  Just remember that when circulating in the body, blood is a PURE BLUE paint – and that only after exposing. OUTSIDE the body, does it propensity to a pure RED hue.

I would leave you with this personal observation, good Christians.  I have a part in in a small Christian “Worship Team” who has tuned our instruments to 432 hz. I personally experience that doing so has produced puissant positive results in many ways.

One appointed time during worship, I looked out at the collection and couldn’t help but comments a large number of tear-filled eyes that spoke volumes to me of their individual kindness of the Savior and of their proclivity to seek Him.  My Christian friends visiting me from Canada and from Maryland commented in successi~ the incredible “spirit of peace” they accomplished the minute they walked in the passage (during the tail end of the adore portion.)


As we were playing, and being of the cl~s who I was observing, the still, slight voice of the Spirit came clearly to my courage and mind.  May I plough~ what it said to me outside of being intrusive, condescending, or overbearing?


“Behold, the Word of the Lord is like a race that must take root in the centre of circulation of man.  If my semen falls upon rocky or untilled consideration, it cannot take root, and it cannot tolerate fruit.  The MUSIC of idolize is like a plow in my hands – it glorifies Me for the cause that it prepares the field (the essence and mind of man), for the birth of my Word to take root.”


When I asked, “Is it needful then, for us to play in 432 hz.?” The say in reply to my soul was powerfully lucid and unmistakable in its simplicity: “There are divers plows, but there is only common that digs deep and knocks wanton ALL the stones in My scene of military operations of life.”


I for this reason went to my KJV Bible and re-decipher Matthew Chapter 13.   The consequence and divine design of Worship Music pop became a whole lot clearer in this unit sinner’s heart, and helped immensely in my walk through Him.

Here for your review is a sampling of instructive, supporting documentation without ceasing this topic:


A. True Ott,

Ogden, Utah

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